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It’s 2030. This MOMA artist predicts the NFT space will look like this.

By Elizabeth Weil, Managing Partner, Scribble VC



This is #3 of 8 “flash content drops” in collaboration with MOMA artist & entrepreneur Paul Budnitz (CEO, Superplastic). We cover The 3 Types of Intelligence, the Future of NFTs, the “Creator Brain”, and How to Stoke Risk-Taking. You can follow me on twitter to get them.


(p.s. SUPERPLASTIC IS HIRING! If you want to join a rocketship or know someone who should, Superplastic is hiring a Director of Marketing, a Marketing Manager, and a Paid Media Specialist.)


The NFT Universe in 2030

“(Most) fine artists who just tried to plunk their work online mostly failed.” — Paul Budnitz, Founder & CEO, Superplastic

  • In fundamental ways, NFTs are like anything else. You have to think long term, to innovate and you have to go beyond just seeing them as static works of “art”.

  • You have to make something fans really want long term.

  • So let’s look at the art world and how that’s likely to evolve…

  • The big question for most art collectors is: “How do I know what is valuable so I know what to buy?

  • Traditionally in the art world “value” is created by the few: collectors, gallery owners, museums, and sometimes the artists themselves.

  • But with crypto it’s a lot more decentralized. You have “whales” who are big collectors who buy the most art, but also millions of fans who collectively affect what’s popular and what ultimately has value.

  • And of course traditional galleries and auction houses (like Christies) have gotten involved.

  • If a traditional gallery or artist gets into the space, they need to figure out how to appeal to these new tastemakers.

  • Damien Hirst and Tom Sachs have done killer jobs at this by:

  • → gamifying their drops

  • → making art that appeals to wider audiences, and

  • → using their names as brands to draw in fans.

  • Other fine artists who just tried to plunk their work online mostly failed.

  • In 2030, here is where I see the NFT & creator space heading:

  • → Synthetic art created by Synthetic artists…

  • → sold to decentralized art collectives…

  • → on public blockchains…

  • → using public tokens…

  • →on chains that use close to zero energy.

  • And at the same time…

  • → Small run handmade art created by talented individuals to small groups of avid fans…

  • → on mini-blockchains that they control.

  • Watch Hirst, Sachs, and what we’re doing at Superplastic, and it becomes hard not to see the future of NFTs as reordering how art is made, valued, bought, and sold.

  • Groups/people to watch in this space:

  • Bored Ape Yacht Club

  • Tom Sachs

  • 3lau

  • Superplastic


Stay Tuned Coming up at 2pm today — The Nonsense Hiring Myth Startups are Told (2 min read). Follow Elizabeth on Twitter to get this content drop.

 

Contact Superplastic or Elizabeth:


→ If you or someone you know wants to meet Superplastic, they are hiring!


→ Follow Superplastic on Discord, IG, and Twitter.



 

Elizabeth Bailey Weil

Founder and Managing Partner, Scribble Ventures (Scribble.vc). Previously Andreessen Horowitz, Twitter. Investor: SpaceX, Slack, Coinbase, Figma, Clubhouse, Calm. Letterpress printer (@paperwheel). Ultramarathon runner. Mom to @thirdweil and twins.


Elizabeth Weil

Founder and Managing Partner, Scribble Ventures (Scribble.vc). Previously Andreessen Horowitz, Twitter. Investor: SpaceX, Slack, Coinbase, Figma, Clubhouse, Calm. Letterpress printer (@paperwheel). Ultramarathon runner. Mom to @thirdweil and twins.

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